- Publisher
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Ornithological Study of Barcelona City
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Writer
Eren Saracevic
Typeface
ITC Clearface
Print
The Folio Club
During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.
Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.
SOLD OUT
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Nostalgia
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Translator
Jaume Vidal
Typeface
Dala Floda
Print
AGPO-GRAF
Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.
That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.
Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.
BUY / 20€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
BUY / 10€
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
View
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Brazil Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
From the project Souvenir, the Morocco Issue.
Souvenir
Editor
Eren Saracevic
Photographer
Eren Saracevic
Graphic Designer
Eren Saracevic
Programmer
Alex Garcés
Writers
Amanda Martínez
Laia Capdet
Ramon H. Sosa
Typeface
Druk Bold
Mercury Regular
Print
The Folio Club
The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.
