Eren Saracevic

creative direction and filmmaking: memòries d’esparter.

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Creative Direction
David Mingorance
Eren Saracevic

Found Footage
Diana Escudero

Graphic Designer
Eren Saracevic

Editor
Eren Saracevic

Typeface
Plantagenet Cherokee

Ca S’Esparter is one of the oldest stores in Spain. We opened in 1815 selling esparto grass and ropes, later the store evolved into what was formerly the Armory Escudero led by the fifth generation of the family. Now the seventh generation takes the baton to turn the store into a space of history, design and fashion with products and brands from Menorca.

We wanted to remember the history and praise all those elements and moments that have been experienced within this space. So, we collected found footage to share this story, to make a video as a compilation of memories.

SEE

documentary photography: sumō in ryogoku.

documentary photography: sumo in ryogoku.

documentary photography: sumō in ryogoku.

ongoing essay: modern prayers.

co-direction: involut.

SEE

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Filmmaker
Uri Fernandez
Eren Saracevic
Ferran Bretcha
Oriol Corsà

Director of Photography
Hugo Prats

Production
Producciones Rocafort
Rubens Pérez
Sergi Silver

Color Correction
Artic Pospo
Jaume Ponsa

Editor
Lucca Genua

Voiceover
Grey Trash

Creative Direction
Uri Fernandez

Head of art
Eren Saracevic

Art direction
Ferran Bretcha
Oriol Corsà

Graphic Design
Ferran Bretcha
Oriol Corsà

Copywriter
Josep Cabot
Sam Valiente
Marta Robledo

Evolution also has its collateral damage. To reflect on how technology has changed our brain to adapt to multi-tasking, addiction to screens, social anxiety, fear of physical contact, to be able to do more tasks, in more quantity and, above all, faster, we have launched INVOLUT®, a range of supplements designed to reverse the unwanted effects of technological progress.

This permanent ambivalence with technology where we simultaneously experience positive and negative effects that generate a conflict of feelings and emotions has been visually transferred to the entire project.

In the same way that Bruno Munari created his fun supplement to the Italian dictionary in 1958, explaining the non-verbal communication of the Italian language, we have wanted to explain the modern world through our digital gestures that reflect how technology has become an extension close to the absurdity of human senses.

SEE

photography: involut.

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Filmmaker
Uri Fernandez
Eren Saracevic
Ferran Bretcha
Oriol Corsà

Director of Photography
Hugo Prats

Production
Producciones Rocafort
Rubens Pérez
Sergi Silver

Color Correction
Artic Pospo
Jaume Ponsa

Editor
Lucca Genua

Voiceover
Grey Trash

Creative Direction
Uri Fernandez

Head of art
Eren Saracevic

Art direction
Ferran Bretcha
Oriol Corsà

Graphic Design
Ferran Bretcha
Oriol Corsà

Copywriter
Josep Cabot
Sam Valiente
Marta Robledo

Evolution also has its collateral damage. To reflect on how technology has changed our brain to adapt to multi-tasking, addiction to screens, social anxiety, fear of physical contact, to be able to do more tasks, in more quantity and, above all, faster, we have launched INVOLUT®, a range of supplements designed to reverse the unwanted effects of technological progress.

This permanent ambivalence with technology where we simultaneously experience positive and negative effects that generate a conflict of feelings and emotions has been visually transferred to the entire project.

In the same way that Bruno Munari created his fun supplement to the Italian dictionary in 1958, explaining the non-verbal communication of the Italian language, we have wanted to explain the modern world through our digital gestures that reflect how technology has become an extension close to the absurdity of human senses.

co-direction: involut.

SEE

Close

Filmmaker
Uri Fernandez
Eren Saracevic
Ferran Bretcha
Oriol Corsà

Director of Photography
Hugo Prats

Production
Producciones Rocafort
Rubens Pérez
Sergi Silver

Color Correction
Artic Pospo
Jaume Ponsa

Editor
Lucca Genua

Voiceover
Grey Trash

Creative Direction
Uri Fernandez

Head of art
Eren Saracevic

Art direction
Ferran Bretcha
Oriol Corsà

Graphic Design
Ferran Bretcha
Oriol Corsà

Copywriter
Josep Cabot
Sam Valiente
Marta Robledo

Evolution also has its collateral damage. To reflect on how technology has changed our brain to adapt to multi-tasking, addiction to screens, social anxiety, fear of physical contact, to be able to do more tasks, in more quantity and, above all, faster, we have launched INVOLUT®, a range of supplements designed to reverse the unwanted effects of technological progress.

This permanent ambivalence with technology where we simultaneously experience positive and negative effects that generate a conflict of feelings and emotions has been visually transferred to the entire project.

In the same way that Bruno Munari created his fun supplement to the Italian dictionary in 1958, explaining the non-verbal communication of the Italian language, we have wanted to explain the modern world through our digital gestures that reflect how technology has become an extension close to the absurdity of human senses.

SEE

co-direction: involut.

SEE

Close

Filmmaker
Uri Fernandez
Eren Saracevic
Ferran Bretcha
Oriol Corsà

Director of Photography
Hugo Prats

Production
Producciones Rocafort
Rubens Pérez
Sergi Silver

Color Correction
Artic Pospo
Jaume Ponsa

Editor
Lucca Genua

Voiceover
Grey Trash

Creative Direction
Uri Fernandez

Head of art
Eren Saracevic

Art direction
Ferran Bretcha
Oriol Corsà

Graphic Design
Ferran Bretcha
Oriol Corsà

Copywriter
Josep Cabot
Sam Valiente
Marta Robledo

Evolution also has its collateral damage. To reflect on how technology has changed our brain to adapt to multi-tasking, addiction to screens, social anxiety, fear of physical contact, to be able to do more tasks, in more quantity and, above all, faster, we have launched INVOLUT®, a range of supplements designed to reverse the unwanted effects of technological progress.

This permanent ambivalence with technology where we simultaneously experience positive and negative effects that generate a conflict of feelings and emotions has been visually transferred to the entire project.

In the same way that Bruno Munari created his fun supplement to the Italian dictionary in 1958, explaining the non-verbal communication of the Italian language, we have wanted to explain the modern world through our digital gestures that reflect how technology has become an extension close to the absurdity of human senses.

SEE

documentary essay: souvenir, the 2020 issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Miquel Segarra
Albert Xifra
Dalmau Oliveras
Pipo Virgós
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary essay: souvenir, the 2020 issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Miquel Segarra
Albert Xifra
Dalmau Oliveras
Pipo Virgós
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary essay: souvenir, the 2020 issue.

BUY / 15€

Close

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Miquel Segarra
Albert Xifra
Dalmau Oliveras
Pipo Virgós
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary essay: ornithological study of the city of barcelona.

SOLD OUT

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Ornithological Study of Barcelona City

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Writer
Eren Saracevic

Typeface
ITC Clearface

Print
The Folio Club

During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.

This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.

Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.

SOLD OUT

documentary essay: ornithological study of the city of barcelona.

SOLD OUT

Close

Ornithological Study of Barcelona City

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Writer
Eren Saracevic

Typeface
ITC Clearface

Print
The Folio Club

During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.

This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.

Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.

SOLD OUT

documentary essay: ornithological study of the city of barcelona.

SOLD OUT

Close

Ornithological Study of Barcelona City

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Writer
Eren Saracevic

Typeface
ITC Clearface

Print
The Folio Club

During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.

This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.

Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.

SOLD OUT

documentary essay: ornithological study of the city of barcelona.

SOLD OUT

Close

Ornithological Study of Barcelona City

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Writer
Eren Saracevic

Typeface
ITC Clearface

Print
The Folio Club

During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.

This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a pre-configured entity.

Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.

SOLD OUT

documentary essay: ornithological study of the city of barcelona.

SOLD OUT

Close

Ornithological Study of Barcelona City

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Writer
Eren Saracevic

Typeface
ITC Clearface

Print
The Folio Club

During two years I have been working on this particular ornithological study, which consists of classifying flags as birds that have been flying in the city of Barcelona during the ‘procés’. It seemed to me a beautiful and poetic way of dealing with this citizen conflict that the city has experienced and at the same time explain the ‘procés’ from the symbols that started this political situation and that people hung on their balconies.

This project explains the city, just like a person, as a conglomeration of national, sexual, football, ideological and political identities that can be mixed together in many ways undermining our ability to define the "other" as a preconfigured entity.

Thus, we could say that this book is a satire and at the same time a documentary exercise on these last years, it tries to explain the diversity and plurality of identity of a city and it is also an invitation to look up and see how politics has transformed our urban and social environment.

SOLD OUT

documentary publication: souvenir, the china issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Patrick Stasny
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary publication: souvenir, the china issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Patrick Stasny
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary publication: souvenir, the china issue.

Close

Souvenir

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

documentary publication: souvenir, the china issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Patrick Stasny
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary publication: souvenir, the china issue.

Close

Souvenir

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

documentary publication: souvenir, the morroco issue.

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Laia Capdet
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

documentary publication: souvenir, the morroco issue.

BUY / 15€

Close

Souvenir

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Laia Capdet
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary publication: souvenir, the morroco issue.

From the project Souvenir, the Morroco Issue.

documentary photography and self-publishing: souvenir in brazil.

BUY / 15€

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Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Programmer
Alex Garcés

Writers
Amanda Martínez
Ramon H. Sosa

Typeface
Druk Bold
Mercury Regular

Print
The Folio Club

The tourist is the person who seeks what he finds, and photography is his instrument. The exercise you practice in reality is reminiscent of a true work of a found or ready-made object. If even a toilet, by virtue of being in a museum, becomes a work of art, anything photographed on a trip becomes something to be remembered.

So, Souvenir is not a weekly, monthly, quarterly or annual publication. It isn't a travel guide and does not intend to recommend places, hotels, bars or restaurants. Souvenir is an object that serves as a memory of the visit to a certain place. The tourist will remember a memorable vacation every time he looks at that object.

BUY / 15€

documentary publication: souvenir, the brazil issue.

documentary essay: nostalgia.

BUY / 20€

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Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

Close

Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

Close

Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

Close

Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

Close

Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

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Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€

documentary essay: nostalgia.

BUY / 20€

Close

Nostalgia

Editor
Eren Saracevic

Photographer
Eren Saracevic

Graphic Designer
Eren Saracevic

Translator
Jaume Vidal

Typeface
Dala Floda

Print
AGPO-GRAF

Since Yugoslavia disintegrated when I was five, I didn't have much time to develop a national identity. That's why this book is a reflection on behalf of a tourist coming back to a disappeared homeland he never lived in, without nation or belief.

I grow up with the idea that Yugoslavia was an ideal of union and brotherhood, a real paradise, as it is a reality that belongs to the past, an idea that lives in the thoughts of people. Their paradise was humble, a national and autonomous economy, access to education and health care, open borders, safe jobs, free loans, good pensions and above all, peace. When the idea of socialism got broke in Europe, Yugoslavia broke with it.

That's why I did a broken book about the broken Yugoslavia, the broken relationships, the broken flags, the broken landscapes, the broken ideas, the broken people and the multicultural broken dream, that should remind us, that the irreparable past of some place can become the future of another.

Nostalgia was designed as a bet against a European Union without social democracy and its symbolic value is affected over time. This book was published in 2013, the departure from the UK, the referendum in Greece on the permanence or the growth of extreme right-wing and anti-europeanist movements in France, Spain, Germany, Netherlands, Austria, or Italy motivate this symbolic value to translate into real value. So, each time a member country leaves the European Union, the price of the book will be increased five euros.

BUY / 20€